The Japanese Art of Repairing Pottery and Glass
日本修缮陶器与玻璃艺术

• Reinforce cracks and rebuild chipped areas
  彻底地修补裂缝并重建破损区域
• Fix a broken-off piece so that it’s usable again
  将断裂部分修复使其恢复可用
• Work with a variety of repair materials
  熟练使用各种维修材料
• Work on pottery, porcelain and glass
  陶瓷、瓷器和玻璃制品加工
• Try a variety of traditional techniques
  尝试各种传统手法

Most of all, the meditative process of kintsugi helps you look at broken objects in a new light and embrace their imperfections.
最重要的是，金缮的冥想过程可以帮助你用新的眼光看待破碎的物品，并接受它们的缺陷。

A BEGINNER'S GUIDE TO KINTSUGI
金缮初学者指南

The Japanese Art of Repairing Pottery and Glass
日本修缮陶器与玻璃艺术

TUTTLE Publishing  塔特尔出版
Tokyo |Rutland, Vermont $\mid$$\mid$∣\mid Singapore
东京 | 伦德，佛蒙特州 $\mid$$\mid$∣\mid 新加坡

Part 1  第一部分内容

GETTING STARTED  开始

KINTSUGI BASICS  金缮基础知识

Shards 28  碎片 28
Chips 34  薯条 34 份
Expert Tips: How to Clean Supplies 39
清洁用品 39 的专家建议
Cracks • Fissures 40
裂缝 - 裂缝 40 处存在 40 处裂缝。
Nicks 44  尼克斯的 44 号球员

OTHER KINTSUGI APPLICATIONS
除陶瓷修复外，金缮还有许多其他应用。

Q & A 86  问答 86
Suppliers 90  供货商 90
Conclusion 94  结论 94

Why I Wrote This Book
我为何撰写这本著作

Four essential pillars of my approach:
我方法的四个核心支柱是：

1. Traditional: we will incorporate historically accurate techniques using real lacquer called “urushi”
   我们将利用真正的漆器，即“漆”，融合历史的精确技术
2. Safe: we will ensure the least amount of harm, which means not using paint thinner or benzene
   我们将确保最大限度地减少伤害，这意味着我们不会使用油漆稀释剂或苯
3. Enjoyable: it will be fun, easy-to-understand, streamlined
   令人愉快： 这将是一项容易理解、有趣的、且便捷的体验
4. Economical: since mending is the goal, we will use kintsugi in the most cost-effective way
   经济实惠：由于修复的目的是弥合裂缝，我们将会采用最具成本效益的方式来进行金缮修复。

With the above in mind, my goal is that anyone will be able to learn kintsugi at home with accessible materials and tools. Even if it takes a little extra time and effort, mending a much loved piece with your own two hands is a joyful endeavor. I invite you to take a whole-hearted dive into the art of kintsugi.
在考虑以上因素后，我希望每个人都能在家中使用方便获取的材料和工具学习金缮。即使这需要花费一些额外的时间和精力，用自己的双手修复一件心爱的物品也是一项令人喜悦的努力。我诚邀您全身心投入到金缮的艺术中。
-Michihiro Hori  翻译后更流畅、更通顺的中文简体翻译

Photo Gallery  相册

Mid-Edo period, exported Koimari Sometsuke bowl. Mended with copper.
江户时代中期，这件古伊万里染付碗被出口，并用铜进行了修复。

19th century French Baccarat glass plate with floral motifs. Gold leaf is used to patch glass.
19 世纪法国巴卡拉玻璃盘，饰有花卉图案，用金箔进行修复。

19th century French Cul Noir platter. Mending in progress with black lacquer and staples.
19 世纪法国黑色彩绘盘，正在用黑漆和订书钉进行修复。

(Left) 16th century teapot. The broken spout has been repaired using kintsugi. (Right) Qing Dynasty spoon. Reinforced with washi paper and finished with gold.
(左) 16 世纪茶壶，破损的壶嘴用金缮修复。(右) 清代勺子，以和纸加固，饰以金箔。

How to Use This Book
如何使用本书籍

Navigators  领航员
Warefuto  仓库
Male squirrel. Has a design on its back and tail.
具有独特图案的雄性松鼠。

Kakeko  比赛

Female squirrel. She has long lashes and white fur.
雌性松鼠，长长的睫毛，白色的皮毛。

Tools for various techniques
用于各种技术的工具

Finished project  已完成的项目
Representative pieces to demonstrate different techniques, brought back to life through kintsugi.
代表性作品通过金缮技艺重现生机，展示不同的技法。

Instructions  从 "source" 字段中提取内容。

Clear explanations and easy-to-understand photos
简明易懂的解释和容易理解的照片

Urushi-buro  浴池

Part 1 GETTING STARTED
第一步：开始使用

You Can Fix These Types of Things
“您可以解决这类问题”

Shards  碎片

It’s happened to us all: a slip of the hand and the plate (or cup or vase, etc.) becomes shards. Things that often break include ceramic spoons, porcelain cup handles, and tea pot spouts. Cracks and chips are common types of breakage.
我们都经历过这种情况：手一滑，盘子（或杯子、花瓶等）就摔碎了。经常会断裂的物品包括陶瓷勺子、瓷杯把手和茶壶嘴。裂缝和缺口是最常见的损坏类型。

Cracks and Fissures  裂缝和裂隙

Nicks  来自尼克斯队的

We call the small or shallow broken pieces and chips near the surface of porcelain, earthenware or ceramic pieces “nicks” to differentiate from the “chips.” Nicks are another very common type of breakage.
我们将瓷器、陶器或陶瓷表面附近的碎小或浅层破损称为“缺口”，以区别于“碎片”。缺口是另一种非常常见的破损类型。

What is Kintsugi?  金継是日本的一种传统工艺，将破碎的陶瓷器皿用金或银粘合起来，使之更加坚固美丽。金継的理念是，破损也是一种美，它可以用来记录物品的历史和故事。金継不仅仅是一种修复技术，更是一种哲学，它告诉我们，即使是在破损之后，也可以找到新的美丽和价值

Whole-heartedly enjoying kintsugi
热爱金缮艺术

About urushi lacquer  关于うるし漆

About Urushi-buro  关于漆器浴

Using humidity to cure the lacquer
使用湿度固化漆

The drying or “curing” method for lacquer is not the same as drying laundry. The curing involves an enzymatic process: the Laccase enzyme in the lacquer absorbs the moisture in the air and oxidizes to harden. In order for the lacquer to cure thoroughly, it’s important to pay attention to the temperature and humidity levels. To promote oxidization, you will need to add moisture to the box as shown below. Place a thermometer and hygrometer inside the box to monitor and maintain
清漆的干燥或“固化”方法与晾干衣物不同。固化涉及酶促过程：清漆中的漆酶吸收空气中的水分并氧化硬化。为了使清漆彻底固化，重要的是要注意温度和湿度水平。为了促进氧化，您需要在盒子中添加水分，如下所示。将温度计和湿度计放在盒子中以进行监控和维护。

optimal curing conditions.
最佳固化条件。

General Process Overview

Shards  碎片

Chips  薯条

Cracks • Fissures  裂纹 • 裂缝

Nicks  来自尼克斯队的

Pretreatment  精炼译文: 准备阶段

Filling small holes and nicks (sabi-urushi)
填补小孔和缺口（sabi-urushi）

Supplies  物资

With proper surfacing, the lacquer flows in smoothly and adheres well. Some people omit the surfacing step.
如果表面处理得当，漆就会非常流畅地流动，并很好地附着。有些人会省略表面处理步骤。

Process  进程

TIP The lacquer stained the porcelain!?
哎呀，清漆把瓷器都染上了！真是太可惜了！

Adhesive: Mugi-urushi  粘接剂：日本漆

Supplies  物资

Process  进程

Mix flour and water next to the lacquer used for pretreatment (see page 20).
按“用于预处理的漆料”在第 20 页的说明，在旁边混合面粉和水。

Make a mixture that resembles pancake batter in texture and consistency
做出质地和稠度类似煎饼的面糊

Knead and mix with the plastic hera or spatula. As flour mixture becomes sticky, start adding little bits of raw lacquer. The total amount of lacquer you will add will be about 1.5 to 2 times the amount of flour used in the original mixture.
用塑料刮刀或抹刀揉捏和混合。当面粉混合物变得粘稠时，开始少量添加生漆。您将添加的生漆总量将大约是原始混合物中 面粉用量的 1.5 到 2 倍。

4

TIP Adjust the viscosity with lacquer
用漆来调节粘度

WHY? WHAT?  为什么？ 什么？

Why use flour?  为什么使用面粉呢？

When you add water to the flour and knead the two together, the protein fibers combine to create gluten. In this book, we used high gluten flour for extra viscosity and suppleness as well as easier handling. If the glue (mugi-urushi) seems too thick, substitute with regular or pastry flour.
将水和面粉混合揉捏，蛋白质会结合形成面筋。在本食谱中，我们使用高筋面粉以获得更高的粘性和柔软度，以及更易于操作。如果胶水（木漆）看起来太稠，可以用普通面粉或糕点粉代替。

Supplies  物资

Process  进程

Refer to page 22 to create a lacquer mixture.
参照第 22 页创建漆混合物。

3

Just like mugi-urushi, sabiurushi is affected by air and in fact cures even faster. Knead the sabi-urushi with the hera or as sabi-urushi.
就像麦漆一样，乌漆也会受到空气的影响，实际上干得更快。用刮刀或作为乌漆揉即可。
(4) spatula at least once every three minutes to keep it pliable.
每隔三分钟至少用抹刀翻拌一次，使其保持柔软。

TIP Always squeeze out raw lacquer next to the tonoko stone powder mixture.
将生漆挤压到砥粉混合物旁

In step 3, make sure to squeeze out the raw lacquer next to the kneaded mixture and not on top. If you pour the raw lacquer on top as shown in the left photo, it is difficult to gauge the 10 to 6 ratio.
在步骤 3 中，请务必将生漆挤压到揉捏好的混合物旁边，而不是上面。如左图所示，如果您将生漆倒在上面，将难以衡量 10 比 6 的比例。

Expert Tips  专家意见

About Urushi Rash  关于漆树皮疹

If lacquer adheres to the skin
如果漆粘在皮肤上

Should your skin come in contact with lacquer, immediately use vegetable oil to wipe it off. Lacquer is not water-soluble. Once home, take a bath or shower as soon as possible, and use something like a pumice stone to scrub off any remaining lacquer.
如果您的皮肤接触到漆，请立即用植物油擦拭。因为漆不溶于水。回家后，请尽快洗个澡或淋浴，并用浮石等工具擦去残留的漆。

Urushi rash symptoms  漆树皮疹的症状

What should I do if I get a rash?
如果我身上起了皮疹，我该怎么办？

Home Remedies  家用偏方

• Baking soda and water paste (about 2-1 ratio)
  取少量小苏打和清水混合成糊状（比例约为 2:1）。
• “Muhi S Cream” has immediate and effective anti-inflammatory impact. This is a is a Japanese anti-itch product available through several online vendors in the US.
  缪希 S 霜具有快速有效的抗炎作用。这款日本止痒产品可通过美国多家线上商店购买。
• A warm colloidal oatmeal bath
  采用温热的胶状燕麦浴
• Rubbing alcohol or witch hazel
  使用外用酒精或金缕梅
• Calendula or chamomile oil
  金盏花或洋甘菊油
• In warmer weather, don’t give into the temptation to work in short sleeves. To prevent urushi rash, it is best to avoid exposing your skin.
  天气炎热时，不要为了工作而穿短袖。为了预防漆过敏，最好避免裸露皮肤。
• Applying ointments like Nivea or Vaseline beforehand may have some preventative effects.
  事先涂抹凡士林等软膏可以起到一些预防作用。

Part 2
KINTSUGI BASICS
金缮修复基本知识第二部分

1. mending the broken parts and
   修复破碎的部分和
2. applying the gold-infused powder on the mended sections.
   将金粉涂抹在修补好的地方。

In part 2, we will feature beginner-friendly step-by-step kintsugi techniques to address shards, chips, cracks, fissures and nicks.
在第二部分，我们将介绍针对碎片、缺口、裂缝和裂隙的简单易学的金缮修复技巧。

Supplies  物资

Process  进程

1

Begin with the pretreatment and smooth the edges with a rotary tool or file (see page 20). Then apply raw lacquer on all the broken edges and
首先使用预处理工具对边缘进行磨平或使用锉刀进行打磨，然后在所有破损的边缘涂抹上生漆。(参见第 20 页)

cure overnight.  overnight cure.

3

If there are more than 3 shards, start attaching the smaller pieces first. If you start with the bigger fragments, the smaller pieces may not fit down the line. Firmly press the glued shards together from both sides and secure with masking tape.
碎片多于 3 个时，请先连接较小的碎片。如果从较大的碎片开始，可能无法连接较小的碎片。用力按压粘合的碎片并用胶带固定。

TIP Space out the masking tape evenly
将遮蔽胶带均匀地间隔开

The lacquer dries more quickly if you leave space between the masking tape pieces
如果你在遮蔽胶带之间留出间隙，漆就能干得更快

After a week, take out the mended item and use a precision knife or razor blade to shave and scrape off excess mugiurushi. I like to use a precision knife with a standard blade or a double-edge razor blade, wrapping one side of the razor with cardboard.
一周后，取出修补好的物品，用锋利的刀片或剃须刀刮去多余的漆。我建议使用带有标准刀片的精密刀或双刃剃须刀，用纸板包裹住刀片的其中一面。

9

Sometimes there are tiny grooves and chips that aren’t readily visible, so it’s a good idea to spread the sabiurushi on the
有时会有一些细微的凹槽和碎屑，不易察觉，所以最好在上面涂抹錆漆。

entire surface to be mended.
需要修补的整个表面。

TIP Be careful not to overcure!
固化时间不要过长！

When curing the mended item, be mindful not to “overcure.” Allowing too much time to lapse will cause the lacquer to harden to a point that will make shaving the excess mugiurushi in step 7 difficult.
在固化修补物品时，需要注意不要过度固化。 如果时间过长，会导致生漆硬化，在步骤 7 中难以刮去多余的漆。

After a day, sand the sabi-urushi sections with 400 grit sandpaper rolled into a cylinder. Add water to the water-resistant sandpaper as you smooth down the surface. This is called a water wash.
经过一天，使用 400 号水砂纸（将其卷成圆柱形）打磨生漆区域。在打磨过程中添加水，使砂纸保持防滑状态。这被称为水洗。

The first nakanuri, or underpainting, layer. Place a small amount of black lacquer on the glass sheet, then using the brush or fountain pen, paint over the glued seams. Paint thin, delicate lines along the broken fragment seams, which will enhance the kinpun/gold powder later (tip 3).
第一道中塗り，或底漆层。在玻璃板上放少量的黑色漆，然后用毛笔或钢笔在粘合的接缝上涂漆。沿着破碎的碎片接缝涂上细而精细的线条，这将增强后期的金粉/金粉（技巧 3）。

TIP How can I get the

best nakanuri results?  最好的中田久里结果？

For the second nakanuri layer and beyond, the lines will start to get thicker so make sure to keep the first layer as thin as possible.
在第二层中涂层以及后面的涂层中，线条会开始变粗，所以请务必让第一层尽可能薄。

TIP How much togi is enough?
加满汽油需要多少钱？

A smooth surface is necessary to create the beautiful nakanuri lines, so the lacquered area needs to be carefully sanded down and polished each time, which is called togi. Sand the first nakanuri layer until it is about $60\mathrm{\%}$$60\mathrm{\%}$60%60 \% matte, and sand the second layer until it is about $80\mathrm{\%}$$80\mathrm{\%}$80%80 \% matte. The aim is to create a matte surface reminiscent of an inkstone or a piece from the Japanese game of Go. If the lines are very thin and you’re not quite sure what’s happening, don’t worry too much about it.
光滑的表面是打造优美中塗線條的必要條件，因此需要小心地打磨和拋光漆面，這稱為砥ぎ。將第一層中塗打磨至約 $60\mathrm{\%}$$60\mathrm{\%}$60%60 \% 的霧面，並將第二層打磨至約 $80\mathrm{\%}$$80\mathrm{\%}$80%80 \% 的霧面。目標是創造一個類似於硯台或日本圍棋棋盤的霧面。如果線條非常細，你不太確定發生了什麼，也不要太擔心。

Follow this sequence: Togi $\Rightarrow 2$$\Rightarrow 2$=>2\Rightarrow 2 2nd nakanuri $\Rightarrow$$\Rightarrow$=>\Rightarrow Cure overnight in urushi-buro $\Rightarrow$$\Rightarrow$=>\Rightarrow Togi $\Rightarrow 3$$\Rightarrow 3$=>3\Rightarrow 3 rd nakanuri $\Rightarrow$$\Rightarrow$=>\Rightarrow Cure overnight in urushi-buro.
按照以下步骤操作: 研磨 $\Rightarrow 2$$\Rightarrow 2$=>2\Rightarrow 2 两次中塗り $\Rightarrow$$\Rightarrow$=>\Rightarrow 在漆桶中放置过夜固化 $\Rightarrow$$\Rightarrow$=>\Rightarrow 研磨 $\Rightarrow 3$$\Rightarrow 3$=>3\Rightarrow 3 进行三次中塗り $\Rightarrow$$\Rightarrow$=>\Rightarrow 在漆桶中放置过夜固化。

Using 800 grit sandpaper, sand down the nakanuri about $80\mathrm{\%}$$80\mathrm{\%}$80%80 \% which should make the surface appear matte (no shine). If you sand too much, you risk taking off the entire seam, so hold back a bit as you perform the togi. We are ready for the final step!
使用 800 目砂纸打磨中塗，使其表面呈现哑光（无光泽）。打磨范围约为 $80\mathrm{\%}$$80\mathrm{\%}$80%80 \% 。注意不要打磨过多，以免影响接缝。最后一步，我们来进行最终的完成工作！

Two layers of nakanuri are nice, but a third layer gives it extra smoothness.
两层打底已经很棒，但第三层会让它更加光滑细腻

After the second togi the surface will ideally be about $80\mathrm{\%}$$80\mathrm{\%}$80%80 \% matte, with a finish similar to a go game piece or an ink stone.
理想情况下，二次研磨后，表面应呈现接近于 $80\mathrm{\%}$$80\mathrm{\%}$80%80 \% 的哑光效果，其光滑程度类似于围棋棋子或砚台。

WHY? WHAT?  为什么？ 什么？

Why so many nakanuri layers?
为什么需要这么多 nakanuri 层？

The reason for multiple layers of nakanuri is to strengthen the kintsugi. Additionally, the process ensures beautiful seams and smooth surfaces. Although the steps are basic and repetitive, diligently following them will produce wonderful results.
nakanuri 采用多层是为了加固 kintsugi。另外，这个过程还能确保接缝美观、表面光滑。虽然步骤简单重复，但认真执行会带来美妙的成果。

Supplies  物资

Process  进程

Start with the pretreatment. Place a small amount of raw lacquer onto the glass sheet and apply the lacquer to the chipped area with a cotton swab. Since you will be wiping off the excess with a rag or tissue at the end, don’t worry too much about precise application. This lacquer has a transparency.
首先进行预处理。在玻璃板上滴少量生漆，用棉签将漆涂抹在缺损区域。由于最后要用抹布或纸巾擦拭多余的漆，所以不必过分担心涂抹的精确性。这种漆是透明的。

Next, we will make the kokusourushi to fill the chip. On the glass sheet, place the mugi-urushi (see page 22) and wood powder with a
接下来，我们将制作用于填充木片的漆树漆。在玻璃板上，使用麦漆（见第 22 页）和木屑，

Mix together with the plastic hera until the wood powder is completely blended in. Continue to mix and knead into a consistency of play dough or clay.
将塑料搅拌器和木屑充分混合，直至木屑完全融合。继续混合和揉捏，直至达到类似于游戏面团或粘土的稠度。

Apply the kokuso-urushi to the chipped area with the bamboo hera and adjust the shape with your fingers. Cure in the urushi-buro for about 7-10 days. For larger chips, slowly build up the patch, which may require curing the lacquer 2 or 3 times.
用竹制刮板将 kokuso-urushi 涂抹在缺损区域，并用手指调整形状。在漆箱中固化约 7-10 天。对于较大的缺口，请缓慢地修补，可能需要将漆固化 2 或 3 次。

If you cover your fingers with wood powder before pressing the kokuso-urushi, your fingers will not get dirty. Alternatively, you could use plastic wrap to press the kokuso-urushi into the chipped area.
如果在按压生漆前，用木粉覆盖手指，手指就不会弄脏。或者，您可以使用保鲜膜将生漆按压到缺损区域。

Make sure that the piece doesn’t fall off! (see tip below)
为了避免作品掉落，请按照以下提示进行操作！(请参见以下提示)

WHY? WHAT?  为什么？ 什么？

What is Kokuso-urushi?  什么是木瓜漆？

TIP If it falls off...
小贴士 如果它掉了...

The kokuso-urushi foundation patch may detach and fall off if the blade you are using is dull or is scraping at a certain angle. If this happens, you can glue it back on with mugi-urushi.
库苏里漆打磨后，如果使用的刀片锋利不足或以一定角度刮擦，可能会脱落。这时，可以使用麦漆将其粘回去。

The whole thing came off…
整件事都搞砸了……

TIP Beware of drips and shrinkage!
小心滴漏和缩水。

When the lacquer “shrinks” the lacquered surface develops wrinkles. To eliminate the wrinkles, the entire nakanuri layer will need to be scraped off and re-done, which will take a long time.
当漆器“收缩”时，漆面会产生皱纹。为了消除皱纹，需要将整个中塗り层刮除重新制作，这需要很长时间。
Drips also result from heavy application, and need to be scraped, which can be tricky and can mar the porcelain needlessly.
滴落也是由过度的涂抹造成的，需要刮掉，但这很棘手，并且可能不必要地损坏瓷器。

Shrinkage is likely to happen when trying to apply a single thick layer of lacquer, so you will end up saving more time by applying multiple, thin layers.
涂刷清漆时，如果试图一次性涂抹厚厚的一层，很可能会导致漆面收缩。因此，多次涂抹薄薄的一层可以节省更多时间。

Expert Tips  专家意见

How to Clean Supplies
如何清洁用品

Always clean and put away your tools and supplies after each use. Keep in mind that lacquer cannot be cleaned with water. Oil must be used. In general, there are two types of oils: (1) non-drying oil (2) drying oil. Each has its own particular uses.
使用完工具和用品后，务必将其清洁并收纳妥当。请注意，漆器不能用水清洁，必须使用油。一般来说，油分为两种类型：（1）不干性油（2）干性油。每种油都有其特定的用途。

How to clean brushes
如何清洁刷子

Use non-drying oils such as canola/vegetable and olive oils to clean brushes. First, place a dollop of oil the size of a quarter coin on the glass sheet. Swish the dirty brush in the oil, then place the brush tip on a different part of the glass sheet and use a stick to squeeze out the oil from the brush hairs. Repeat this 6 or 7 times until the squeezed oil becomes clear. Even a tiny amount of lacquer remaining on the brush hairs will harden and damage the brush, rendering it unusable. Once the brush has been cleaned, generously load the brush with clean oil and store.
使用不干性油，例如菜籽油/植物油和橄榄油来清洁刷子。首先，在玻璃板上放一小块硬币大小的油。在油中涮脏刷子，然后将刷头放在玻璃板的另一部分，用棍子挤出刷毛中的油。重复此操作 6 或 7 次，直到挤出的油变得清澈。即使刷毛上残留少量油漆也会变硬并损坏刷子，使其无法使用。刷子清洁后，在刷子上涂抹大量干净的油并储存起来。

How to clean heras and glass sheets
如何清洁炉灶和玻璃？

Use turpentine oil* to clean heras, spatulas and glass sheets. Pour a small amount of turpentine onto the glass sheet and mix with the lacquer. Wipe clean with a rag or tissue. Combining turpentine with vegetable oil is even more effective.
使用松节油*清洁刮板、抹刀和玻璃板。在玻璃板上倒入少量松节油，与漆混合。用抹布或纸巾擦拭干净。将松节油与植物油混合使用效果更佳。
※ Pine tree resin oil. Used for oil painting
松树树脂油，用于油画

Before you use your cleaned brushes
使用清洁后的刷子前，请检查并清理刷毛

Cracks • Fissures  裂纹 • 裂缝

Any apparent crevice in the pottery is called a “crack.” All other hairline cracks are called “fissures.”
任何明显的陶器裂缝都称为“裂缝”。所有其他细小的裂缝都称为“裂纹”。

h

Supplies  物资

Process  进程

Try putting some pressure on the cracked area and if there is any kind of creaking noise, you will want to repair it with kintsugi. If the cracked area is immobile and completely stable, there’s no need for mending. which will allow better adhesion of the lacquer.
尝试在裂缝区域施加一些压力，如果听到任何吱吱声，则需要使用金缮修复。如果裂缝区域不动且完全稳定，则无需修复。这将有助于漆器更好地粘附。

On the glass sheet mix mugi-urushi (see page 22) with turpentine into a consistency of Worcestershire sauce. Note that you are diluting the mugi-urushi with turpentine and not the other way around.
在玻璃板上，将麦漆（请参考第 22 页）与松节油混合至伍斯特沙司的浓稠度。请注意，您应该用松节油稀释麦漆，而不是相反。

4

TIP Let's paint beautifully delicate lines!
让我们一起用优美的线条描绘出精美的作品吧！

Pull the brush toward you as you paint.
上色的时候，将画笔朝自己拉。

6
We will now proceed to nakanuri togi (scraping and polishing the underpainting). Roll 400 grit sandpaper into a cylinder and water wash the painted section. When the lacquer appears about $60\mathrm{\%}$$60\mathrm{\%}$60%60 \% matte, the sandpaper is working.
现在我们将开始中涂研磨（刮磨和抛光底漆）。将 400 号砂纸卷成圆筒状，并用水冲洗上漆部分。当漆面看起来大约 $60\mathrm{\%}$$60\mathrm{\%}$60%60 \% 无光泽时，砂纸就开始发挥作用了。

Finally, it’s time for the finishing touches! Go to page 49
好的，现在是收尾工作的最后细节了！请翻到第 49 页

i  我

Nicks  来自尼克斯队的

Wouldn’t it be nice if it were as easy to fix the chips and nicks that happen in the bonds between people?
要是能像修复芯片和缺口一样轻松地修复人与人之间的隔阂和裂痕就好了。

Supplies  物资

Types of nicks  昵称的类型

Hotsu-when a small portion has chipped off, usually along the edges.
当较小部分剥落时（通常沿边缘），通常称为“缺损”。

“Moth hole” [or bug bites]
“飞蛾洞” [或虫咬]
When the glaze and base layer cure unevenly, the glaze may shrink and form small “bald spots.” For wabi-sabi enthusiasts, these spots may be considered character-giving and would not be repaired.
釉面和底层不均匀固化时，釉面可能会收缩形成小片“秃斑”。对于侘寂爱好者来说，这些斑点可能被认为是具有特色的，不会进行修复。

Clamshell  翻盖式

Splinter  碎屑

The nicks that barely graze the rim of vessels or pottery.
几乎与器皿或陶器的边缘擦过的刻痕。

2

Broadly fill the nick with sabi-urushi.
用黄檗漆彻底填满缺口。

TIP How to fill with sabi-urushi
用 sabi-urushi 进行填充的技巧

When it’s difficult to form a “corner” or flat edges with sabi-urushi, try this.
当使用 sabi-urushi 难以形成“角”或平边时，请尝试此方法。

Smooth from the top  从上面平滑地下来

Interior  室内

7

Finishing touches  进行最后的修饰

By following the simple restoration process, the nicks will become beautifully finished kintsugi!
按照简单的修复过程，缺口将变成精美修复的金缮作品！

Repeat steps $4-7$$4-7$4-74-7 on page 46 for nakanuri and nakanuri togi. Now we will proceed to the final step (see page 50).
请在第 46 页上重复 nakanuri 和 nakanuri togi 的步骤 $4-7$$4-7$4-74-7 。现在进行最后一步（请参见第 50 页）。

TIP How to form a circular shape
如何使用小费形成一个圆形

Part 3
KINTSUGI FINISHING TOUCHES
金缮工艺的最后润色

For the grand finale, we will apply gold finishing powder on the lacquered sections. Aside from the gold powder kinpun there are other finishing powders such as ginfun (silver powder), suzufun (copper powder) and shinchuufun (brass powder). Each has a distinct type of sheen and characteristic, and the fun is in choosing a finish that feels just right for each particular mending project.
在盛大的最后，我们将使用金粉对漆面部分进行装饰。除了黄金粉末（金粉）之外，还有其他装饰粉末，例如银粉（银粉）、铜粉（铜粉）和黄铜粉（黄铜粉）。每种粉末都有自己独特的质感和特性，选择让每件特定修复项目都感觉恰到好处的表面处理效果是一件充满乐趣的事情。

Supplies  物资

Process  进程

Let’s start with the jinuri that is the base layer of lacquer to which the kinpun/ gold powder will adhere. Squeeze out some red lacquer onto the glass sheet. Keeping this layer extremely thin, paint delicate lines along the mended
让我们从金粉附着的漆底层“津栗”开始吧。在玻璃板上挤出一些红色漆，尽量保持这层漆极薄，然后沿着修补的裂缝画出精细的线条。

j 2 plastic heras or spatulas
2 个塑料奶酪刀或抹刀
k Mawata (silk/cotton batting)
丝绸/棉花填充物
I Red lacquer (purified lacquer with a red pigment called Bengara kneaded in)
我用红色漆（一种用名为“红粉”的红色颜料揉捏而成的精制漆）
m Polishing powder (whetstone powder)
抛光粉（磨刀石粉）
n Raw lacquer  生漆

seams. Cure in the urushi-buro for approximately 15-30 minutes.
将接缝在漆室中固化约 15-30 分钟。

Pick up plenty powder with the mawata (silk/cotton batting).
用棉花或丝绵拾取大量粉末。
2

Prepare the kinpun/gold powder. You’ll be able to see scattered kinpun/ gold powder by placing a black piece of paper underneath. To hold down the wrapper paper, use small stones, coins or pottery fragments.
准备金粉。 将一张黑纸放在下面，你就能看到散落的金粉。 用小石头、硬币或陶片压住包装纸。

There are less expensive alternatives to kinpun but they may cure differently,
除了金喷还有更便宜的替代品，但它们的治疗效果可能会有所不同

4

The method of fungatame enables the precious metal powder to firmly adhere to the surface (tip 1). Raw lacquer is diluted with turpentine oil with a $1:1$$1:1$1:11: 1 ratio. The solution is then applied on top of the gold powder with a cotton swab. Gently press with tissue to soak up the excess lacquer. Repeat until all the extra lacquer is soaked up. Cure in the urushi-buro overnight.
真空镀金法可以让贵金属粉末牢牢地附着在表面（小技巧）。用松节油按照 $1:1$$1:1$1:11: 1 的比例稀释生漆。然后用棉签将溶液涂抹在金粉上。用纸巾轻轻按压以吸取多余的漆，直到所有多余的漆都被吸干净。在漆艺室中固化一夜。

WHY? WHAT?  为什么？ 什么？

Why you should cure the jinuri for 15-30 minutes
为什么你应该清洗金耳 15-30 分钟？

Sprinkling immediately  立即进行喷洒

Kinpun/gold powder sinks in = using lots of powder
金粉会沉到底部 = 使用了很多粉末
Cure for 15-30 minutes
治疗时间为 15-30 分钟

TIP Choosing to skip fungatame
选择跳过 Fungatame

Lacquer Sometimes what you want is the color layer development that occurs when kinpun/ gold powder is directly applied to the jinuri without fungatame. This means that the addition of the lacquer/ turpentine oil solution may be omitted. Since skipping this step doesn’t affect the durability of the repair, it’s an easy way to shorten the process.
有时，您想要的只是将金粉直接涂在金底上而产生的颜色层。这意味着可以省略添加生漆/松节油溶液。由于跳过此步骤不会影响修复的耐久性，因此它是简化流程的有效方法。

Chips  薯条

Using the same steps as the shards section, apply the jinuri with red lacquer. On larger
与碎片部分的步骤相同，使用红色漆涂抹 jinuri。在较大的

surfaces, use a slightly bigger brush. Cure in the urushi-buro for 15-30 minutes.
在表面上，使用稍微大一点的刷子。在漆器炉中固化 15-30 分钟。

Prepare the kinpun/gold powder and black paper (see page 51).
准备金粉和黑纸（见第 51 页）。

3

Apply the gold with mawata (silk/cotton batting). Don’t worry about using too much powder since it can be reused.
用毛掸（丝绵/棉絮）拍打金粉。不用担心用太多粉末，因为它可以重复使用。

TIP When the mawata
提示：当下巴

doesn’t reach  无法抵达
Some areas may be hard to reach with the mawata (silk/cotton batting). For these areas, apply with a brush, using a sweeping motion.
一些地方可能比较难用毛巾（丝/棉填充物）接触到，可以用刷子进行涂抹，并用扫过的动作进行操作。

Small nooks and crannies  细小的地方和角落

6

Dip your finger into rapeseed oil or similar, then add a smidgen of polishing powder and polish the powdered surface. The oil should start evaporating and gradually a golden luster will emerge. Once you have the desired level of golden shine, you are done.
将手指蘸取少量菜籽油或类似的油，然后在抛光剂表面涂抹少许。油会开始挥发，逐渐呈现出金色的光泽。当您得到想要的金色光泽时，即可停止抛光。

With a cotton swab, apply a fungatame mixture that is a $1:1$$1:1$1:11: 1 blend of turpentine oil and raw lacquer.
用棉签蘸取松节油和生漆混合制成的杀菌剂进行涂抹。

Use different parts of the tissue to wipe away the lacquer until all the lacquer is soaked up. Cure overnight in the urushi-buro.
用纸巾的不同部位擦拭漆器，直到所有的漆器都被浸透。在漆器浴中固化一夜。

TIP Burnishing stick vs polishing powder
金刚石研磨棒和抛光粉的使用区别和效果

Expert Tip  专家建议

Kinpun/Gold Powder Varieties
金粉/金粉类型

Commonly used kinpun/gold powder
常见的金粉/金粉

• Keshifun Gold leaf crushed into fine powder. Also called kindei (some people assert that it’s unstable in high heat)
  金箔磨成细粉，也称为金泥（有人认为金泥在高温下不稳定）。
• Nobefun An abrasive, filing powder similar to kashifun. Using for filing down edges. Also called hirafun or hirakyokufun.
  诺贝粉是一种类似于细滑研磨粉的研磨材料，可用于打磨边缘。它也被称为平滑粉或平滑曲面粉。
  ※ We use nobefun by the brand Tonohikari for the projects in this book.
  我们在本书的示例项目中使用了日本品牌殿光的诺贝尔芬产品。
• Marufun A filing powder with round grains like pachinko balls. Marufun comes in sizes 1-15 and the larger the number, the larger the particles (as the particle size increases, the amount per gram decreases)
  Marufon A 是一種顆粒狀粉末，顆粒像彈珠。Marufun 有 1-15 種尺寸，數字越大，顆粒越大（顆粒大小增加，每克數量減少）。
  

  

Marufun #3 and #1  马鲁丰三号和一号
Red lacquer  中国红漆器

Since the cost per gram for keshifun and nobefun is more than for marufun, and because the togi process is unnecessary, they are better suited for kintsugi beginners. The different particle sizes for marufun are often combined. For example, some people apply only #2, others may start with #3 and follow up with #1, and still others may start with #5 and finish with #3 and so on. A tubular tool called funzutsu is used for marufun. The bigger the particles, the more substantial and well-rounded the kintsugi, but due to the cost and learning curve involved, we used nobefun instead.
由于每克 keshifun 和 nobefun 的成本高于 marufun，并且 togi 过程是不必要的，因此它们更适合金缮初学者。marufun 不同的颗粒尺寸通常会组合使用。例如，有些人只使用 #2，有些人可能从 #3 开始，然后使用 #1，还有些人可能从 #5 开始，然后用 #3 等等。marufun 使用一种叫做 funzutsu 的管状工具。颗粒越大，金缮越厚实，也更圆润，但由于成本和学习曲线的原因，我们使用了 nobefun。

Fungatame  狂野游戏

Supplies  物资

• Black lacquer  黑色的漆器

Process  进程

(1) Ginfun/Silver powder
银粉

2

We will start with the jinuri step as we did with the kinpun/gold powder finishing. Black lacquer will be used for ginfun/silver powder. White lacquer works as well. Apply a thin layer and cure for 15-30 minutes in the urushi-buro.
我们将按照金粉/金泥的步骤，从银粉/银泥的步骤开始。银粉/银泥将使用黑漆。白漆也可以使用。涂抹一层薄薄的漆，在漆器箱中固化 15-30 分钟。

Process  进程

(1) Suzufun/Copper powder
(1) 石墨粉/铜粉

2

Prepare the suzufun/copper powder and black paper. Similar to the jinuri step, start the funmaki (powder application) with the more difficult areas.
准备苏合香/铜粉和黑纸。与金缕步骤类似，从更难处理的区域开始刷粉（粉末涂抹）。

When you have finished applying powder to the other side, proceed to the fungatame step. Polish until shiny. All done!
将另一侧的粉末涂抹完成后，进行抛光步骤。抛光至光亮。全部完成！

TIP Brush outside in
用毛刷由外向内刷洗

Sweep in the powder from outer edge of the jinuri areas.
从外缘区域的粉末中扫描。

Process  进程

1
Shinchuufun / Brass powder
黄铜粉末

We will use red lacquer for shinchuufun / brass powder. Paint thin layers and cure in the urushi-buro for 15-30 minutes.
将真鍮粉涂抹红色漆。薄薄地涂抹，并在漆室中干燥 15-30 分钟。

Prepare the shinchuufun/brass powder and black paper (see page 51). Pick up some powder with the treatment brush and apply the powder. Try not to get any lacquer on the brush. Proceed to the fungatame step and polish until shiny. All done!
准备新铸造的黄铜粉末和黑纸（请参阅第 51 页）。 用处理刷子取一些粉末并涂抹。 尽量避免刷子上沾到漆。 然后进行研磨抛光，直至呈现光亮。 这样就完成了！

Expert Tips  专家意见

About Precious Metal Powders
关于贵金属粉末

Silver  银色

The discoloration and darkening commonly found in aging silverware is not actually oxidation but sulphuration. The patina evokes Ibushigin or the Japanese concept of subdued beauty.
老银器上常见的变色和变黑实际上不是氧化而是硫化。这种铜绿让人联想到“侘寂”，即一种朴素的日本美学概念。

The timing for applying precious metal powder
贵金属粉末的应用时机

Aoiki  青木

Conversely, if breathing on the surface results in fogging (like blowing on a glass window on a cold day), the lacquer is too dry for the metallic powder to adhere. You will need to water wash with 800 grit sandpaper and paint another layer of lacquer.
相反，如果在表面呼吸后出现雾气（就像在寒冷的冬日对着玻璃窗哈气一样），则说明漆面过于干燥，金属粉无法附着。此时，您需要使用 800 目砂纸进行水洗，并重新喷涂一层漆。

Copper  铜

Cured for 15-30 minutes
固化处理 15-30 分钟

The surface transforms into a rainbow (like an oily sheen) for a moment
表面瞬间变成了彩虹色（像油膜一样）

OK to apply  好的，可以申请
finishing powder  精致定妆粉

Brass  黄铜

Cured for over 30 minutes
固化超过 30 分钟

Missed spots  遗漏的区域

From this point, repeat the polishing steps. It’s normal to perform these types of fixes.
从这里开始，请重复抛光步骤。进行此类修复是正常的。
You could even say that the ease of touch-up is one of kintsugi’s many appeals.
可以说，金缮容易修复是它众多吸引力之一。

Taikiba and Inukiba  太一和伊奴

Some people use a tool called taikiba, which means “red snapper teeth,” for the funmaki step to apply the finishing powder. Some others like to use something called inukiba which
有人喜欢在卷寿司的最后一步，也就是“封边”这一步，会用到一种名为“鲷鱼牙”的工具，它可以帮助涂抹最后仕上げ的粉末。 有些人则更倾向于使用名为“猪毛棒”的工具

utilize dogs’ teeth. These tools are gentler than the burnishing sticks made out of stones such as agate.
使用狗的牙齿进行切割，这些工具比用玛瑙等石头制成的磨棒更温和。

If you are unable to acquire a taikiba or inukiba, an agate burnishing stick can be ordered from stores specializing in metalwork supplies.
如果你无法找到合适的太刀木或伊努木，可以在金属加工用品店购买玛瑙抛光棒。

Part 4  第四部分

OTHER KINTSUGI APPLICATIONS
除陶瓷修复外，金缮还有许多其他应用。

Supplies  物资

a Raw lacquer  生漆
b 2 plastic heras or spatulas
将 2 个塑料抹刀或锅铲放在一起
c High gluten flour
高筋面粉
d Water  将饮用水
e Rotary tool (for drilling holes-use a low setting)
使用低速设置的电动工具（用于钻孔）
f Hammer that is on the smaller side
小巧的锤子
g Silver wire ( $0.8-1\mathrm{mm}$$0.8-1\mathrm{mm}$0.8-1mm0.8-1 \mathrm{~mm} )
镀银导线 ( $0.8-1\mathrm{mm}$$0.8-1\mathrm{mm}$0.8-1mm0.8-1 \mathrm{~mm} )
h Pliers  手钳
i Wire cutter  我使用钢丝切割机

Process  进程

2

Mend in the same way as shown on pages
在同一个页面上，按相同的步骤进行修补
$28-33$$28-33$28-3328-33. Then drill holes for the kasugai staples.
在 $28-33$$28-33$28-3328-33 钻一些孔，然后用鹤嘴钉进行固定。
Prepping the holes by initially positioning the staples (wherever you like) and marking the hole locations with an oil-based pen is helpful.
在开始打孔之前，使用油性笔标记穿孔位置，可以方便您将订书钉放置在您想要的位置。

3

Drill the holes with the rotary tool. Taking care not to pierce all the way through, drill a hole that is about $1/16-1/8$$1/16-1/8$1//16-1//81 / 16-1 / 8 " $(2-3\mathrm{mm}$$(2-3\mathrm{mm}$(2-3mm(2-3 \mathrm{~mm} ) deep. Keep checking the depth as you drill (see tip below).
使用旋转工具钻孔时，请务必小心，不要完全刺穿。钻孔深度约为 $1/16-1/8$$1/16-1/8$1//16-1//81 / 16-1 / 8 英寸（ $(2-3\mathrm{mm}$$(2-3\mathrm{mm}$(2-3mm(2-3 \mathrm{~mm} 厘米）。钻孔时，请持续检查深度（请参阅以下提示）。

4

5

WHY? WHAT?  为什么？ 什么？

What is Kasugai?  春日井市是一个什么样的城市？

Kasugai are joining materials that have long been used to attach stone and wood pieces together. In the pottery world, this joining technique was common from the Edo period until the early part of the Showa period. The cultural treasure “Bakouhan” (Tokyo National Museum) is a famous example of kasugai usage.
鏹是一种用于连接石材和木材的材料，在陶器世界中，这种连接技术从江户时代一直到昭和初期都很常见。东京国立博物馆的藏品“貘汉”就是使用鏹的一个著名例子。

TIP Diligently check the holes!
请仔细检查漏洞！
Make sure to frequently check the depth of the holes by inserting a toothpick or sewing needle. If you drill too deep, there is a danger of piercing all the way through and cracking the surface, and if you don’t drill deep enough, the staples will not securely fit.
为了确保订书钉的牢固性，请使用牙签或缝衣针经常检查孔的深度。如果钻得太深，可能会刺穿表面并造成开裂。如果钻得不够深，订书钉将无法牢固地固定。

Once the staples have been securely inserted, cure in the urushiburo about 1 week.
将订书钉牢固地插入后，在漆箱中固化约一周。

(7) $\begin{array}{c}\text{Consider applying metallic}\\ \text{powder to the staples}\end{array}$$\begin{array}{c}\text{ Consider applying metallic }\\ \text{ powder to the staples }\end{array}${:[" Consider applying metallic "],[" powder to the staples "]:}\begin{gathered}\text { Consider applying metallic } \\ \text { powder to the staples }\end{gathered}  (7) <代码 0>

Once cured, remove excess mugi-urushi with sandpaper or cutting tools. Then paint with your preferred lacquer color. We used black lacquer to play up the silver color of the wire against the white vessel. Once again, cure in the urushiburo for at least one
固化后，使用砂纸或切割工具去除多余的麦漆。然后，使用您喜欢的漆色进行涂装。我们使用了黑色漆，以突出银色金属丝在白色器皿上的颜色。最后，再次将漆器放入漆室中固化至少一个

night.  夜晚。

TIP To secure the kasugai staples
使用 TIP 固定春日井订书钉
The illustration shows how hammering in the kasugai staple collapses it to reinforce the mended areas. Be careful not to hammer too hard and break the vessel. Tap lightly and/or use a rubber tipped jeweler’s hammer.
插图显示了如何捶打鎹钉以使其塌陷，从而加固修补区域。请勿用力敲击，避免损坏器皿。建议轻轻敲击，或使用橡胶头金匠锤。

Supplies  物资

a Small paint brush  一把小画笔
b Precision knife such as X-Acto (see page 31)
使用 X-Acto 等精密刀具（见第 31 页）
c Bamboo hera  竹子是一种禾本科植物
d 2 plastic heras or spatulas
2 把塑料抹刀或锅铲
e Tonoko stone powder
源自东吴石灰粉
f Water  水
g Masking tape  纸胶带
h Sandpaper (400 grit, 800 grit)
使用 400 目和 800 目砂纸打磨
i Alligator pliers  鳄鱼钳
j Raw lacquer  生漆
k Black lacquer  K 碳黑色漆

First, we will prepare the fragment that will be attached to the chip using the yobitsunagi technique. Look for a piece that matches the chipped area in terms of size, thickness and curvature. Place the fragment against the chipped area and trace the shape that needs to be filled.
首先，我们将使用拼接技术准备一个将要连接到芯片上的碎片。寻找一个在尺寸、厚度和曲率方面与缺损区域相匹配的碎片。将碎片放在缺损区域上，并描出需要填充的形状。

Modify the fragment to fit into the chipped area. Electric cutters and gliders could be useful, but a tool used for stained glasses called “alligator pliers” is handy here. Cut along the marking with the pliers, as if you are chewing off the unnecessary sections.
将碎片修改成适合破损区域的尺寸。可以使用电动切割器和滑翔机，但建议使用名为“鳄鱼钳”的彩色玻璃工具，将其沿着标记切割，就像咀嚼掉不需要的部分一样。

Fine-tune the shape with a rotary tool or sandpaper. From time to time, check to see how the fragment is fitting into the chipped area.
使用旋转工具或砂纸精修形状。 定期检查碎片是否与缺损区域吻合。

5

Secure with masking tape and cure in the urushi-buro for at least one week.
用胶带固定并放在漆室中固化至少一周。

WHY? WHAT?  为什么？ 什么？

What is yobitsugi?  比特币是一种电子货币，通过网络进行点对点支付。它通过密码学的方式进行加密和安全，其匿名性使其被部分人用于非法交易

What is tomotsugi?  什么是传承？

7

If there are gaps after attaching the fragment, fill them with sabi-urushi (see page 24) or kokuso-urushi. After filling the gaps, cure in the urushi-buro for about one week.
如果连接完部件后留有任何空隙，务必用茶渍漆（参考第 24 页）或黑草漆予以填补。填补完成后，需在其上涂漆后再进行固化，具体时间在 一周左右。

Since it’s nearly  由于它已经接近了

impossible to find a fragment that will fit perfectly, don’t be discouraged if the piece is attached wonkily. Dive in with whole-hearted enthusiasm and enjoy the kintsugi process and the imperfections.
找到一个完全合适的碎片是不可能的，如果碎片连接得有些歪歪扭扭也别灰心。全心全意地投入到金缮中，享受金缮的过程和不完美。

m

Glass-tsugi  “玻璃-tsuki”

Glass-tsugi is quite special and uses gold leaf.
玻璃青金石相当特殊，并使用了金箔。
g

Supplies  物资

Process  进程

First, cut the gold leaf to match the length of the broken piece. Place a ruler against the gold leaf to cut straight.
首先，将金箔切割成与破损部分相同长度。 为了确保切割平直， 请使用尺子作为辅助工具。

Using tweezers lightly lay gold leaf over the area, and use cotton to press it into place. Let it sit for about a week.
轻轻用镊子将金箔平铺在需要覆盖的区域，用棉签轻轻按压使其平整，放置约一周时间。

Pour out a small amount of Ikkake-urushi on the glass sheet and using a cotton swab, apply a thin layer to the broken edge.
将少量的生漆倒在玻璃板上，用棉签将其薄薄地涂抹在断裂的边缘。

After a week and when the gold leaf has cured, assemble the fragments and prepare the strips of masking tape
待金箔固化一周后，将碎片组装起来，并准备好遮蔽胶带条。

Start attaching the smallest fragments first. Use mugi-urushi (22 page) as the adhesive.
首先，使用小麦漆（第 22 页）作为粘合剂，先将最小的碎片粘起来。

If the glass has broken apart into many pieces, use the shown example as a guide and assemble all the smallest pieces first, then assemble medium-sized pieces and so on. Once all the pieces have been glued together, secure with masking tape.
如果玻璃破碎成很多碎片，请参考提供的示例，先将所有最小的碎片拼在一起，然后拼中等的碎片，以此类推。所有碎片粘合完成后，用遮蔽胶带固定。

WHY? WHAT?  为什么？ 什么？

Why is a different method used for glass?
为什么玻璃要使用不同的方法？

Due to the transparency of glass, if the traditional methods are used, the base coat color of the nakanari lacquer will show through, which doesn’t always look beautiful. Sandwiching the gold leaf prevents the lacquer color from showing through and makes for a cleaner finish.
因为玻璃是透明的，如果使用传统方法，中漆的底色就会透出来，这看起来并不美观。夹金箔可以防止漆色透过来，使表面更干净。

Wrap the entirety with masking tape to secure and cure in the urushi-buro for about one week.
用胶带将整个包裹物包裹起来，在漆室中固化大约一周。

9

When the lacquer dries, go back and fill in any gaps with more lacquer, repeating multiple times if necessary, then trim the excess with a fine blade or similar. Finish off with your favorite powder or lacquer. I did this one with a powder finish. It gives the metal a interesting look.
当漆干燥后，多次返回反复填充任何间隙，如果需要可以使用更多漆，然后用锋利的刀片或类似工具修剪掉多余部分。最后用你最喜欢的粉末或漆完成。我用的是粉末完成，它给金属带来了一种有趣的外观。

TIP If it seems too difficult...
如果看起来太难了，可以考虑把它分解成更小的步骤。

Supplies  物资

1. Ceramic spoon  陶瓷汤匙
   

   

Start with the pretreatment (see page 20). Prepare edges with the rotary tool, apply raw lacquer and attach fragments together with muji-urushi (see page 22) after curing. Use masking tape to secure a wooden chopstick or stir stick as a splint. Cure in the urushi-buro for about one week.
首先，进行预处理（见第 20 页）。使用旋转工具处理边缘，涂抹生漆，并在固化后用木胶（见第 22 页）将碎片粘合在一起。用遮蔽胶带将木筷子或搅拌棒固定作为夹板。在漆器室中静置约一周时间固化。
j Splint (popsicle stick, stir stick or pencil)
临时夹板（冰棒棍、搅拌棒或铅笔）
k Sandpaper (400 grit, 800 grit)
400 和 800 号砂纸
I Washi paper (Misugami washi is recommended) m Rotary tool
建议使用美浓纸（三杉纸）和圆形切割工具

2
Once cured, scrape off the extra lacquer with a precision knife or sandpaper.
固化后，用锋利的刀或砂纸轻轻刮掉多余的漆。

3

getting glue on your hands.
手上沾上胶水

Spread a thin layer of mugiurushi onto the glass sheet. Then place a washi strip on top of the lacquer and press the paper into the glue with the hera.
“在玻璃纸上均匀涂抹一层薄薄的麦漆。然后将和纸条放在漆面上，用板刷轻轻按压将纸与漆粘合。”

Gently lift the edge of the washi paper with the bamboo hera.
用竹铲子轻轻地将和纸的边缘抬起。

TIP Nori-urushi and mugi-urushi
Nori-urushi 和 mugi-urushi 是日本传统漆器技艺，以天然材料为原料制作而成。

Mugi-urushi is a rather viscous adhesive and is not best suited to gluing washi paper. On the other hand, nori-urushi (made from 1 part rice flour and 4 parts water boiled in a pan then mixed with equal parts raw lacquer) is less viscous but works better for washi paper and cures in a day. Choose whichever you prefer.
麸皮漆是一种比较粘稠的粘合剂，不太适合粘贴和纸。另一方面，米汤漆（由 1 份米粉和 4 份水在锅中煮沸，然后与等量的生漆混合）粘稠度较低，但更适合粘贴和纸，一天即可固化。您可以根据自己的喜好选择使用哪种漆。

Once the washi stripped has been completely wrapped, add some more mugi-urushi to secure the ends with your fingers or bamboo hera. Cure
当和纸完全包裹后，用更多麦麸漆固定末端，可以用手指或竹制刮板辅助。固化

Once cured, scrape off any excess lacquer and trim the edge of the
固化完成后，刮掉多余的漆并修整边缘。

washi paper with a precision knife. Water wash with sandpaper and paint several nakanuri layers. You can leave the washi paper as is for the texture or if you prefer, smooth it out with sabi-urushi.
使用锋利的刀切割和纸。用水和砂纸清洗，涂刷几层中涂。可以保留和纸的纹理，或者用錆漆使其更光滑。

Try finishing it with kinpun/gold powder (see page 50 ), and now you’re all done. Although the mended section may be a little bulky, it should be sturdy and ready for use.
尝试用金粉/金粉（见第 50 页）完成它，现在你已经全部完成了。虽然修补的部分可能有点厚实，但它应该是坚固耐用的。

4

Center the width of the washi strip on the broken section of the handle and wrap it around like a bandage. Cure once again in the urushi-buro for about one week.
将和纸条的宽度对齐手柄断裂部分的中心，像绷带一样缠绕。在漆刷中再次固化大约一周时间。

6

Supplies  物资

Combine 1 part flux and 1 part flour paste (water + flour) and blend together. Apply the mixture to the fragment Process edge with a hera and glue pieces together.
将助焊剂和面粉糊（水和面粉）以 1:1 的比例混合并搅拌均匀。用刮板处理碎片边缘并将碎片粘合在一起。

2

Secure with masking tape and cure for 1 to 2 days. Once cured, remove the tape and wrap with wire to secure.
用胶带牢固地固定并固化 1-2 天。完成后，移除胶带并用金属丝缠绕固定。
3. Cure in an electric kiln oven at $1112{\mathrm{F}}^{\circ }/{600}^{\circ }\mathrm{C}$$1112{\mathrm{F}}^{\circ }/{600}^{\circ }\mathrm{C}$1112F^(@)//600^(@)C1112 \mathrm{~F}^{\circ} / 600^{\circ} \mathrm{C} for 2 hours.
在 $1112{\mathrm{F}}^{\circ }/{600}^{\circ }\mathrm{C}$$1112{\mathrm{F}}^{\circ }/{600}^{\circ }\mathrm{C}$1112F^(@)//600^(@)C1112 \mathrm{~F}^{\circ} / 600^{\circ} \mathrm{C}

3

Put on a chawan (teacup or rice bowl) to stabilize.
将物品放在茶碗（茶杯或饭碗）上以保持稳定。

Expert Tips  专家意见

How to Care for Projects Mended with Kintsugi
如何保养用金缮修复过的作品？

Although you could certainly treat the mended projects just as you did prior to kintsugi, they are like injured friends, and extra gentle care will go a long way.
虽然您当然可以像金缮之前那样对待修复过的项目，但它们就像受伤的朋友，额外的细心呵护会大有帮助。

How to avoid damaging kintsugi
如何避免金繼損壞

• Try not to soak them in water for too long
  尽量不要浸泡在水中太久
  

  

• Avoid harsh cleansers and handle gently when washing
  避免使用刺激性清洁剂。请在清洗时轻柔处理
• Avoid microwaves and dishwashers. The microwave may burn and disintegrate the lacquer; the lacquer may peel off in the dishwasher.
  为了避免损坏漆面，请勿使用微波炉或洗碗机。微波炉可能会烧坏漆面，导致其溶解；洗碗机可能会导致漆层剥落。
• Avoid placing item in a pot or saucepan over direct heat.
  请勿将物品直接放在明火或平底锅上加热。
• Avoid storing in dry or dehydrating places. Technically, the cold air in refrigerators has a dehydrating effect.
  避免存放在干燥或容易失水的地方。从技术上讲，冰箱中的冷空气会造成失水。
• Kintsugi is surprisingly okay with bleaching agents. The author has found that bleach helped brighten the kintsugi.
  金缮工艺对于漂白剂的耐受性出乎意料地高。作者发现，漂白剂可以帮助提亮金缮作品的颜色。
  

  

To prolong the life of kintsugi
为了延长金缮的寿命

Lacquer is a natural high polymer substance with excellent acid-resistant, waterproof and antiseptic properties that protect against alkalinity, salinity and alcohol. With a little bit of care, you can enjoy the fruits of your kintsugi labor for a very long time.
漆是一种天然的高分子物质，具有优异的耐酸、防水、防腐性能，可以抵抗碱性、盐度和酒精的侵蚀。只要稍加注意，你就可以长时间享受 kintsugi 修补后的美观和实用。

Q & A  问答

Q1 About how much is the initial investment for kintsugi?
金缮的初始投资大约是多少？ ---

Q2 What would be considered beautiful kintsugi?
什么样的金继会被认为是漂亮的？

Q3 Is there a supplier of kintsugi materials? Do you have any recommendations?
有金継ぎ材料供应商吗？您有推荐的吗？

Q4 Are there certain materials suited or not suited for kintsugi?
Q4 哪些材料适合金缮，哪些材料不适合？

Q5 Does lacquer expire?
清漆会失效吗？

Unopened, a tube of lacquer usually lasts about a year. The curing capacity of lacquer declines with time, especially after summer. However, adding fresh lacquer will boost the curing strength, and placing the lacquer tube in the refrigerator will prevent deterioration (I was taught that there is no such thing as lacquer that doesn’t cure). Regardless, lacquer will always cure with enough time, so take the long view and enjoy the process of kintsugi.
未开封的漆管通常能保存约一年。漆的固化能力会随着时间的推移而下降，尤其是在夏季之后。不过，加入新的漆可以提高固化强度，将漆管放在冰箱里也能防止变质（我被告知没有不固化的漆）。无论如何，漆总会在足够的时间内固化，所以要从长远角度来看待它，享受金缮的过程。

Q6 What is the difference between synthetic adhesives and lacquer?
人造粘合剂与漆的区别是什么？

Q7 What are different ways to enjoy kintsugi?
金継有哪些不同的享受方式？

Q3 What should I do when I can't perform togi because the cured lacquer is too hard?
固化的漆面太硬，无法上色时，该怎么办？

Q9 I want to redo the kintsugi that I applied with synthetic glue.
我想要对用合成树脂胶进行修复的金缮进行重新修复。

Most adhesives will soften or melt in high heat, so try simmering the item in a pot of water for 1 to 2 hours. Sometimes the kintsugi will disintegrate. If not, that means that the glue is extra strong and if you try to forcibly pull apart the repaired area, another part may break or crack. Simply leave the glued section as is and redo the lacquer and finishing powder.
大多数胶粘剂在高温下会软化或融化，所以可以尝试将物品在锅中煮沸 1-2 小时。金缮可能会自行分解。如果没有分解，则说明胶水特别牢固，如果强行将修复区域拉开，可能会导致其他部分断裂或开裂。只需保持原样，重新进行漆面和抛光处理即可。

Q10 I accidentally got debris in the lacquer.
我无意间在漆面弄进了杂物。

Q11 It's challenging to paint thin lacquer lines.
用薄漆绘制细线非常具有挑战性。

Q12 Can I use gold leaf instead of kinpun/gold powder?
可以用金箔代替金粉吗？

Q13 Are there other finishing options other than precious metal powders?
除贵金属粉末外，还有其他光洁处理选择吗？

Q14 I was taught to clean brushes with nail polish remover or paint thinner, is that okay?
我以前学到可以用卸甲油或油漆稀释剂来清洁刷子，这可以吗？

I advise against it because they will damage the brushes. For the sake of the brushes and for your own health, I highly recommend using only vegetable oils. Because lacquer will naturally harden, after cleaning the brush hairs thoroughly, load the it with clean oil. Some people like to clean brushes with paint thinner or other potent cleansers to remove the oiliness before using it to paint, but I’ve found that wiping the brush hairs with a rag is sufficient.
我建议不要这样做，因为它们会损坏刷子。为了刷子和您自己的健康，我强烈建议只使用植物油。因为油漆会自然硬化，所以彻底清洁刷毛后，请用干净的油将其装满。有些人喜欢在用油漆之前用稀释剂或其他强力清洁剂清洁刷子以去除油性，但我发现用抹布擦拭刷毛就足够了。

Suppliers  供应商

Amazon.com  亚马逊网站

Christianbonner  来自克里斯蒂安·邦纳

Goenne  果恩

Hokoan  霍坎语系

KintsugiJapan  金继日本

KintsugiLoo  修复破损陶瓷的传统日本工艺

KintsugiOxford  金缮牛津 (修复陶瓷的日本艺术)

KintsugiShopArt

https://www.etsy.com/shop/
KintsugiShopArt?ref=profile_header
金继艺术品店？来源=页头
Selected urushi, brushes, powder
精选漆器、毛笔和粉末
Ships from France  从法国发货

KintsugiSupplies  金缮用品

wwwmejirojapancom  此网页已更改其名称。

GENERAL ART AND CRAFT SUPPLIERS
一般工艺美术用品供应商

Michaels  迈克尔

Blick  眼科

Joann Fabrics and Crafts
简洁大方的乔安妮布艺和工艺品

KILN SUPPLIERS  窑炉供应商

Craftkilns  工艺窑是专门设计用于工艺陶瓷生产的窑炉。

Soul Ceramics  心灵陶瓷坊

https://www.soulceramics.com/collections/ ceramic-kilns
这里有各种各样的陶瓷窑出售，适合各种各样的陶瓷爱好者和专业人士。 无论您是刚开始接触陶瓷，还是经验丰富的专业人士，我们都能提供适合您需求的窑炉。
Kilns and other pottery apparatauses
窑炉和其他制陶设备
Ships from US  从美国运出

Conclusion  总结

I hope that this book will open up the world of kintsugi to you and be a source of mending and enriching of your own life.
我希望这本书能为你打开金缮的世界，为你自己的生活带来修复和丰富。
-Michihiro Hori  翻译后更流畅、更通顺的中文简体翻译

Michihiro Hori  堀 道浩

"Books to Span the East and West"
能够涵盖东西方思想的书籍

www.tuttlepublishing.com
来源是 www.tuttlepublishing.com

OUCHI DE DEKIRU OORAKA KINTSUGI
居家金缮艺术

Staff(Original Japanese edition)
职员（日语原版）

Asia Pacific  亚太地区（简体中文）

Japan  日本

Tuttle Publishing  图特尔出版
Yaekari Building 3rd Floor
雅格力大厦三楼
5-4-12 Osaki  大阪市大崎 5-4-12
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中国制造 2112EP -
$2524232210987654321$$2524232210987654321$25242322quad1098765432125242322 \quad 10987654321
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图特尔出版是图特尔出版有限公司的注册商标，图特尔出版有限公司是远东出版集团（香港）有限公司的一部分。

Also available from Tuttle Publishing
由 Tuttle 出版社出版

ISBN: 9780804854115 ,  ISBN: 9780804854115

ISBN: 9784805316481  ISBN 编号：9784805316481

ISBN: 9780804851046  国际标准书号： 9780804851046

SBN: 9784805315545  ISBN 编号：9784805315545

TUTTLE  塔特尔

www.tuttlepublishing.com
来源是 www.tuttlepublishing.com