Frederick LAU is an ethnomusicologist, flutist, and conductor whose scholarly interests include a broad range of topics in Chinese, Western, and Asian music and cultures. He has published widely on issues related to music and identity, nationalism, modernization, politics, globalization, diaspora, musical hybridity as well as Western avant-garde music.
Fradelik LAU 是一位民族音乐学家、长笛演奏家和指挥家,其学术兴趣包括中国、西方和亚洲音乐和文化的广泛主题。他发表了大量关于音乐和身份、民族主义、现代化、政治、全球化、侨民、音乐混合以及西方前卫音乐等问题的作品。
LAU has received numerous research grants from agencies such as the National Endowment for the Humanities (NEH), the Scholarly Communication with the PRC, Freeman Grants, and the German Academic Exchange (D.A.A.D.). He served as the former book review editor of the Yearbook for Traditional Music and is editor of a book series entitled Music and Performing Arts of Asia and the Pacific, University of Hawaii Press.
刘教授获得了美国国家人文基金会 (NEH)、与中国学术交流、弗里曼资助和德国学术交流 (D.A.A.D.) 等机构的大量研究资助。他曾担任《传统音乐年鉴》的书评编辑,并且是夏威夷大学出版社《亚洲和太平洋音乐和表演艺术》系列丛书的编辑。
He is the president of the Society for Asian Music, former president of Music of East Asia Study Group and the Association for Chinese Music Research, and former council of the Society for Ethnomusicology. In 2009, he was awarded the College of Arts & Humanities Excellence in Teaching Award, and in 2010 the University of Hawai'i Board of Regent's Excellence in Teaching Award. Prior to coming to CUHK, he taught at Milliken University, University of Illinois, University of Wisconsin Eau-Claire, California Polytechnic State University, University of Hawaii at Manoa. He also directed workshops and summer institutes for the East-West Center's Asian Studies Development Program.
他是亚洲音乐学会的主席,东亚音乐研究小组和中国音乐研究会的前主席,以及民族音乐学学会的前理事会。2009年,他被授予艺术与人文学院卓越教学奖,并在2010年被授予夏威夷大学董事会卓越教学奖。在加入中大之前,他曾在美利肯大学、伊利诺伊大学、威斯康星大学 Eau-Claire、加州理工州立大学和夏威夷大学马诺阿分校任教。他还为东西方中心的亚洲研究发展计划指导了研讨会和暑期学院。
Books: 书:
1. Music in China: Experiencing Music, Expressing Culture. New York: Oxford University Press (2008).
1. 中国音乐:体验音乐,表达文化。 纽约:牛津大学出版社(2008 年)。
Edited Volumes: 编辑卷:
1. Making Waves: Traveling Musics in Asia and the Pacific. Co-edited by Frederick Lau and Christine R. Yano. Honolulu: University of Hawaii Press (2018).
1. 掀起波澜:亚太地区的巡回音乐。 由 Frederick Lau 和 Christine R. Yano 共同编辑。 檀香山:夏威夷大学出版社(2018 年)。
2. Vocal Music and Cultural Identity in Contemporary Music: Unlimited Voices in East Asia and the West, Co-edited by Frederick Lau and Christian Utz . New York & London: Routledge (2013).
2. 《当代音乐中的声乐与文化认同:东亚和西方的无限声音》,由 Frederick Lau 和 Christian Utz 共同编辑。纽约和伦敦:劳特利奇(2013)。
3. Locating East Asia in Western Art Music. Co-edited by Frederick Lau and Yayoi Uno Everett. Middletown: Wesleyan University Press (2004).
3. 在西方艺术音乐中定位东亚。由 Frederick Lau 和 Yayoi Uno Everett 共同编辑。米德尔敦:卫斯理大学出版社(2004 年)。
Articles: 文章:
2020 "Music in China: Recalibrating Musical Heritage in a Radically Changing Society" in Global Music Culture: an Introduction to World Music. Co-edited by Bonnie Wade and Patricia Campbell, New York & Oxford: Oxford University Press, p.72-89.
2020 “Music in China: Recalibrating Musical Heritage in a Radily Changing Society” in Global Music Culture: an Introduction to World Music.由Bonnie Wade和Patricia Campbell共同编辑,纽约和牛津:牛津大学出版社,第72-89页。
2020 "Listening to China: sonic articulations of a nation: an introduction" International Communication of Chinese Culture, Springer, V7/2:79–84.
2020 “倾听中国的声音:一个国家的声音发音:导论”,中国文化国际传播,施普林格,V7/2:79-84。
2020 "The sounds of modernity in Chinese pop music." Intercultural Communication of Chinese Culture, Springer, V7/2:101–115.
2020 “中国流行音乐中的现代性之声。”中国文化的跨文化交际,施普林格,V7/2:101–115。
2019 "Chinese Protest Music" Oxford Handbook of Protest Music. New York: Oxford University Press (in press).
2019 “中国抗议音乐”牛津抗议音乐手册。纽约:牛津大学出版社(出版中)。
2019 "Chinese Musical Modernities" Oxford Handbook of Chinese Music. New York: Oxford University Press (in press).
2019 “中国音乐的现代性”,牛津中国音乐手册。纽约:牛津大学出版社(出版中)。
2018 "Chou Wen-chung: Voice of Authenticity in the Age of Change." in Music of Two Cultures: Cross-Cultural Synthesis in the Music of Chou Wen-chung. Co-edited by Mary Arlin and MarkRadice. London and New York: Routledge, 1-16.
2018 “周温中:变革时代的真实之声”,载于《两种文化的音乐:周温钟音乐中的跨文化综合》。 由 Mary Arlin 和 MarkRadice 共同编辑。伦敦和纽约:劳特利奇,1-16。
2018 "Molihua: Culture and Meaning of China's Most Well-travelled Folksong." in Making Waves: Traveling Musics in Asia and the Pacific. Co-edited by Frederick Lau and Christine R. Yano. Honolulu, University of Hawaii Press, 81-99.
2018 “莫利华:中国最广为流传的民歌的文化和意义”。掀起波澜:亚太地区的旅行音乐。 由 Frederick Lau 和 Christine R. Yano 共同编辑。 檀香山,夏威夷大学出版社,81-99。
2018 "Sounding Waves--Introduction." With Christine Yano. in Making Waves: Traveling Musics in Asia and the Pacific. Co-edited by Frederick Lau and Christine R. Yano. Honolulu, University of Hawaii Press, 1-18.
2018 “Sounding Waves--简介”。与 Christine Yano 合作。 在掀起波澜:亚太地区的旅行音乐中。 由 Frederick Lau 和 Christine R. Yano 共同编辑。檀香山,夏威夷大学出版社,1-18。
2017 "When a Great Nation Emerges: Chinese Music in the World," in East-West Musical Encounters: Representation, Reception, and Power Politics in Sino-Western Musical Relations," edited by Michael Saffle and Helan Yang. University of Michigan Press. 265-282.
2017 “当一个伟大的国家出现:世界上的中国音乐”,载于《东西方音乐相遇:中西音乐关系中的表征、接受和强权政治》,迈克尔·萨夫勒和杨鹤兰编辑。 密歇根大学出版社,265-282。
2017 "Celestial Music, Glamerous Angels: Girls Glitzing up and Traditional Chinese," in Music in China Today: Traditions, Contemporary Trends, edited by Bernhard Hanneken and Tiago de Oliveria Pinto, Intercultural Music Studies 21, Germany: Verlag für Wissenschaft und Bildung, 111-130.
2017 〜天乐,光彩天使:华丽少女与繁体华语〉,载于《今日中国音乐:传统与当代趋势》,Bernhard Hanneken 和 Tiago de Oliveria Pinto 编辑,《跨文化音乐研究》第 21 期,德国:Verlag für Wissenschaft und Bildung,111-130。
2015 "Center or Periphery?": Regional Music in Contemporary China." Intercultural Communication of Chinese Culture, Springer, 2/1:31–47.
2015 “中心还是边缘?”:当代中国的区域音乐”。 中国文化的跨文化交际,施普林格,2/1:31-47。
2015 "Rise Up and Dream: New Work Songs for the New China," in This Thing Called Music: Essays in Honor of Bruno Nettl, Lanham, Maryland: Rowman and Littlefield Publishers, 419-432.
2015 “崛起与梦想:新中国的新工作歌曲”,收录于《音乐: 纪念布鲁诺·内特尔的文章》,马里兰州拉纳姆:罗曼和利特菲尔德出版社,419-432。
2015 "Modernism and Modernity is Asian Performing Arts" in The Modernist World. London and New York: Routledge, 62-69.
2015 “现代主义和现代性是亚洲表演艺术”,《现代主义世界》。伦敦和纽约:劳特利奇,62-69。